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ng upon the publication of the “Typhoon” volume of short stories.

I don’t mean to say that I became then conscious 广州棠下好又多of any impending change in my mentality and in my attitude towards the tasks of my writing life. And perhaps there was never any change, did cause广州棠下好广州棠下好又多又多 me some concern was that after finishing the last story of the “Typhoon” volume it seemed somehow that there was nothing , however, extraneous thing which has nothing to do with the theories of art; a subtle change in the nature of the inspiration; a phenomenon for which I can not in any way be held responsible. What, except in that mysterious,